Conventional vernacular styled lettering and application (silver on white wall) for the newly renamed (after retiring president Steven Levine) CalArts Cafeteria, 2017
Conventional vernacular styled lettering and application (silver on white wall) for the newly renamed (after retiring president Steven Levine) CalArts Cafeteria, 2017
1921 Laszlo Molholy-Nagy collage at Los Angeles County Museum of Art, followed by photograph of three bits of tape found on sidewalk in front of CalArts theater building door. Two small masterpieces in different contexts, one created and one arbitrary, showing a perfect spacial relationship between 3 geometric forms.
Top collage made with tissue paper drawings and a few bits and lines, followed by second collage made with more conventional found material: from current one-a-day sketch book, 2017
Photo “Between a Rock and a Hot Spot” 2017
“The Deerslayer’s Ablutions Before His Overnight Beside the Glimmerglass” Collage, 2017
2006. Large European size poster (artwork) for a Mozart festival in Venice. The title heading comes from the playful moniker a still very young Mozart used while performing there.
Original drawing and color version of the lettering used on parts of the project.
Memorial Day: Inspired by early 20th century editorial cartoons and reading, “Lincoln In The Bardo” George Saunders, 2017
Illustration and cover for an imaginary 1950 sci-fi pulp magazine. 2 drawings from a current ongoing “one-a-day” sketch book.
Today: two collages, two styles, to type (in each case). Top: Mounted and grounded in a 60s minimal midcult-modernist mode, 2 juxtaposed pieces found (as is) in proximity on walkways to my CalArts studio this morning. Below: pieces recomposed this afternoon from my Xerox discard “worksheets” in an early surrealist manner reminiscent of Max Ernst.
2010 Elephant Magazine article: interview and work on five spreads, written and edited by Katya Tylevich.